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Wednesday, 14 August 2013

Advantages of wood furniture



Advantages of wood furniture

Traditionally, furniture has been made of wood. With the industrial revolution, furniture manufactured from materials such as steel, aluminum, glass and plastic, began to appear. These materials may have revolutionized the furniture industry, but wood is undeniably a staple material in furniture manufacturing. Not only is wood everlasting, but it is timeless as well. Whether it is an armoire in the family room or a chair in the dining room, wood furniture manufacturers manage to combine eternal beauty and robust practically along with a contemporary or country style.

The advantages of wooden furniture are undeniable. Combine a piece of wood furniture to furniture made from steel or glass and the natural beauty of the wood will add warmth and character to any room.

Strength and durability

Wood furniture is extremely resilient and requires very little maintenance. Wood is a long-lasting natural material that can stand constant abuse, whether it's spills in the kitchen or scratches in the dining room. Solid wood furniture can last for generations with minimum care.

Ease of maintenance
Wood furniture is nearly effortless to maintain. Simply wipe the surface of the wood chair parts with a wood cleaner on a regular basis. Do not allow water or dust to settle on your tables, chairs or armoires for extended periods.

A decor staple
Adding a piece of wood furniture to a room will completely change its look and feel. Wood furniture offers elegance, charm and sophistication to any room.

Value
Although you might pay more to begin with for a piece of solid wood furniture, wood is more valuable than other material used in furniture manufacturing. Wood’s natural grain guarantees that each piece of furniture is unique. The initial cost of wood furniture may be higher than lower end materials, but you will reap the benefits for years to come. Depending on your budget, you can select furniture that is manufactured using wood furniture parts in softwood such as pine, or you can opt for furniture that is manufactured using harder, more exotic woods.

Modifiable
The beauty of wood furniture is that it can be changed over time to give it a second, third or fourth life. By sanding and staining, or painting, you can refinish wood furniture and give it an entirely new look.

Advantages and disadvantages of Furnitures

Advantages and disadvantages

Advantages
  • Wooden furniture is traditional aesthetical furniture, which forms the image of an exceptional taste, luxury and stability.
  • Uniqueness – there are no similar wooden products, each is different in its colour, tone and texture. One can change the appearance himself and tune the object to the changing interior by varnishing and painting.
  • Wooden furniture is healthy and ecological, fit for allergic persons, does not require chemical cleaning, resistant to dirt, dust and static electricity.
  • Natural wood is a warm material therefore a home with wooden furniture is always cozier and more serene. Doors, made of natural wood provide good sound isolation.
  • Wooden furniture is robust and durable.
  • Wooden furniture can be repaired and restored to the initial appearance.
Disadvantages
  • Sun, moisture and sudden temperature changes can impair the form and colour. However appropriately dried and processed wood is more robust than plastic or aluminum.
  • The surface can be damaged by sharp objects, stains can remain in case water, alcohol or other coloured liquids are spilt and not cleaned properly. Please, consult our wood care guide for keeping the perfect appearance of your wooden furniture.
  • Wood gets darker with time. Varnishing and painting can restore the initial colour, although the dark colour of furniture is a symbol of luxury and stability. Quite frequently furniture is aged artificially.

Hidden Hazards in the Home: Furniture and TVs

Hidden Hazards in the Home: Furniture and TVs
The U.S. Consumer Product Safety Commission (CPSC) is urging parents and caregivers to inspect and anchor furniture and TVs now, in order to protect young children from a preventable tragedy.
A new data report shows that between 2000 and 2010, CPSC staff received reports of 245 tip-over-related deaths involving children 8 years old and younger. More than 90 percent of the incidents involved children 5 years old and younger. In more than half of the 245 fatalities (56%), the child was crushed by the weight of the television, furniture, or appliance. The majority of these children suffered fatal injuries to the head (67%).
In addition, more than 22,000 children 8 years old and younger are treated in hospital emergency rooms every year (2008-2010) for injuries related to instability or tipover of televisions, furniture, and appliances. And like the fatalities, a majority of these injuries (56%) are to the head.
The most common tip-over scenarios involve toddlers who have climbed onto, fallen against or pulled themselves up on furniture. About 70 percent of children's fatalities (169 incidents) involved falling televisions, and 27 percent (65 incidents) involved only furniture falling. Of the 135 child fatalities where furniture fell by itself or fell with a TV, the majority of incidents (64%) involved a chest, dresser, or a bureau. Often, these pieces of furniture have drawers that children can use to climb. To prevent tragedies follow these safety tips in any home where children live or visit:
  • Anchor furniture to the wall or the floor.
  • Place TVs on sturdy, low bases. Or, anchor the furniture and the TV on top of it, and push the TV as far back on the furniture as possible.
  • Keep remote controls, toys and other items that might attract children off TV stands or furniture.
  • Keep TV and/or cable cords out of reach of children.
  • Make sure freestanding kitchen ranges and stoves are installed with anti-tip brackets.
  • Supervise children in rooms where these safety tips have not been followed.

Furniture Accidents

Furniture Accidents – A Hidden Home Hazard

For many toddlers and young children, home is a place of discovery.
The adventure of learning to stand, walk, and reach that shiny object way on the top shelf can prove irresistible. But these adventures can be dangerous and even downright deadly if the proper precautions are not taken.
The U.S. Consumer Product Safety Commission (CPSC) estimates that between 2000 and 2010 there were at least 245 deaths related to tip-overs of furniture, televisions or appliances among children ages 8 years and under. Most of these deaths, 90 percent of them, involved children younger than age 6. In 2011, the CPSC identified this issue as one of the top hidden home hazards.
Kids can be seriously injured or killed as a result of climbing onto, falling against or pulling themselves up on shelves, bookcases, dressers, TV tables, and other furniture.
Here are some tips for keeping your home safe:
  • Fasten top-heavy or unstable furniture to a wall using brackets, screws or wall straps.
  • Keep heavier items on lower shelves or in lower drawers.
  • Don’t keep remote controls, candy or other tempting items on unstable stands or tables.
  • Teach children not to climb or jump on furniture.
  • Push the television as far back as possible from the front of its stand.
Kids are also in danger of suffocation if they become accidentally trapped in a cabinet, toy chest or laundry machine. In 2007 alone, there were 3,270 injuries to children ages 2 to 14 involving toy chests. Always supervise children around any confined space and keep the doors closed and locked.
Toy chests that meet voluntary standards set by the CPSC are equipped with lid supports that hold the lid open in any position. The standards also call for ventilation holes to prevent suffocation. If you have a toy chest with a lid that doesn’t stay open, the CPSC recommends you remove the lid or install a spring-loaded lid support.
Safe Kids Wake County works to prevent unintentional childhood injury, the leading cause of death and disability to children ages 1 to 14. Safe Kids Wake County is a member of Safe Kids Worldwide, a global network of organizations dedicated to preventing unintentional injury. Safe Kids Wake County was founded in 1996 and is led by WakeMed Health & Hospitals.

Types of wood to make furniture

Softwoods (conifers)

Hardwoods (angiosperms)

FURNITURES

History

Furniture has been a part of the human experience since the development of non-nomadic cultures. Evidence of furniture survives from the Neolithic Period and later in antiquity in the form of paintings, such as the wall Murals discovered at Pompeii; sculpture, and examples have been excavated in Egypt and found in tombs in Ghiordes, in modern day Turkey.

Neolithic period


Skara Brae house Orkney Scotland evidence of home furnishings i.e. a dresser containing shelves.
A range of unique stone furniture has been excavated in Skara Brae, a Neolithic village located in Orkney. The site dates from 3100–2500 BC and due to a shortage of wood in Orkney, the people of Skara Brae were forced to build with stone, a readily available material that could be worked easily and turned into items for use within the household. Each house shows a high degree of sophistication and was equipped with an extensive assortment of stone furniture, ranging from cupboards, dressers and beds to shelves, stone seats, and limpet tanks. The stone dresser was regarded as the most important as it symbolically faces the entrance in each house and is therefore the first item seen when entering, perhaps displaying symbolic objects, including decorative artwork such as several Neolithic Carved Stone Balls also found at the site.

Classical world

Ancient furniture has been excavated from the 8th-century BC Phrygian tumulus, the Midas Mound, in Gordion, Turkey. Pieces found here include tables and inlaid serving stands. There are also surviving works from the 9th-8th-century BC Assyrian palace of Nimrud. The earliest surviving carpet, the Pazyryk Carpet was discovered in a frozen tomb in Siberia and has been dated between the 6th and 3rd century BC. Recovered Ancient Egyptian furniture includes 3rd millennium BC beds discovered at Tarkhan as place for the deceased, a c. 2550 BC gilded bed and two chairs from the tomb of Queen Hetepheres I, and many examples (boxes, beds, chairs) from c. 1550 to 1200 BC from Thebes. Ancient Greek furniture design beginning in the 2nd millennium BC, including beds and the klismos chair, is preserved not only by extant works, but by images on Greek vases. The 1738 and 1748 excavations of Herculaneum and Pompeii revealed Roman furniture, preserved in the ashes of the 79 A.D. eruption of Vesuvius, to the eighteenth century.

Early modern Europe


Florentine cassone from the 15th century
The furniture of the Middle Ages was usually heavy, oak, and ornamented with carved designs. Along with the other arts, the Italian Renaissance of the fourteenth and fifteenth century marked a rebirth in design, often inspired by the Greco-Roman tradition. A similar explosion of design, and renaissance of culture in general, occurred in Northern Europe, starting in the fifteenth century. The seventeenth century, in both Southern and Northern Europe, was characterized by opulent, often gilded Baroque designs that frequently incorporated a profusion of vegetal and scrolling ornament. Starting in the eighteenth century, furniture designs began to develop more rapidly. Although there were some styles that belonged primarily to one nation, such as Palladianism in Great Britain or Louis Quinze in French furniture, others, such as the Rococo and Neoclassicism were perpetuated throughout Western Europe.

19th century


The furniture maker by Ludwig Deutsch
The nineteenth century is usually defined by concurrent revival styles, including Gothic, Neoclassicism, Rococo, and the EastHaven Movement. The design reforms of the late century introduced the Aesthetic movement and the Arts and Crafts movement. Art Nouveau was influenced by both of these movements.

Early North American

This design was in many ways rooted in necessity and emphasizes both form and materials. Early American chairs and tables are often constructed with turned spindles and chair backs often constructed with steaming to bend the wood. Wood choices tend to be deciduous hardwoods with a particular emphasis on the wood of edible or fruit bearing trees such as Cherry or Walnut.

Modernism



The first three-quarters of the twentieth century are often seen as the march towards Modernism. Art Deco, De Stijl, Bauhaus, Wiener Werkstätte, and Vienna Secession designers all worked to some degree within the Modernist idiom. Born from the Bauhaus and Art Deco/Streamline styles came the post WWII "Mid-Century Modern" style using materials developed during the war including lamenated plywood, plastics and fiberglass. Prime examples include furniture designed by George Nelson Associates, Charles and Ray Eames, Paul McCobb, Florence Knoll, Harry Bertoia, Eero Saarinen, Harvey Probber, Vladamir Kagan and Danish modern designers including Finn Juhl and Arne Jacobsen. Postmodern design, intersecting the Pop art movement, gained steam in the 1960s and 70s, promoted in the 80s by groups such as the Italy-based Memphis movement. Transitional furniture is intended to fill a place between Traditional and Modern tastes.

Stainless Steel Table with FSC Teca Wood - Brazil Ecodesign

Ecodesign

Great efforts from individuals, governments, and companies has led to the manufacturing of products with higher sustainability known as Ecodesign. This new line of furniture is based on environmentally friendly design. Its use and popularity are increasing each year.[citation needed]

Contemporary

One unique outgrowth of post-modern furniture design is Live edge, heralding a return to natural shapes and textures within the home.

Asian history


Sendai-dansu for kimono, zelkova wood, note the elaborate ironwork, handles on side for transportation, and lockable compartment
Asian furniture has a quite distinct history. The traditions out of India, China, Pakistan, Indonesia (Bali and Java) and Japan are some of the best known, but places such as Korea, Mongolia, and the countries of South East Asia have unique facets of their own.
The use of uncarved wood and bamboo and the use of heavy lacquers are well known Chinese styles. It is worth noting that Chinese furniture varies dramatically from one dynasty to the next.
Traditional Japanese furniture is well known for its minimalist style, extensive use of wood, high-quality craftsmanship and reliance on wood grain instead of painting or thick lacquer. Japanese chests are known as Tansu, known for elaborate decorative iron work, and are some of the most sought-after of Japanese antiques. The antiques available generally date back to the Tokugawa era and Meiji era.

Tuesday, 13 August 2013

Roll on - a short history of the swivel chair

With RIYA, Bene has a new swivel chair in its programme - the likeable design and ease of use offer an inviting place to sit. We are using this product launch as an occasion to take a closer look at the history of the swivel chair.
Sitting is actually a surprisingly recent human habit. In fact, for a long time sitting as we know it today was reserved for those in power - the throne is the ancestor of our contemporary chairs. The first depictions of seated subjects were created in Egyptian antiquity and show rulers on "representative seats". Being allowed to sit on a chair was considered a sign of power and authority and remained a privilege of the Christian and secular elites until the late Middle Ages.

The chair became somewhat more popular in the 16th century.The increase in commerce led to the first "seated professions" - with increasing frequency, administrators, dealers and bookkeepers completed their tasks at a dedicated workspace, which therefore also had a seat. Since the bookkeeper’s financial ledgers were long and had to be spread out on several tables, this soon led to the invention of a chair with castors to speed up the journey from one end of the ledger to another.



Even then, the design of desk chairs was primarily oriented according to practical considerations. This tendency was continued and even reinforced with emerging industrialisation: From then on, the rhythm of the machines also determined the office work, which had to be completed in a disciplined, precise and methodical manner. According to the principles of Taylorism, people also had to function efficiently: everything had to be within reach on the desk so that movement would be reduced to a minimum.

This machine-oriented thinking is also reflected in the design of the first "proper" swivel chairs, the emergence of which is closely tied with the invention of the typewriter. When the first Remingtons conquered the office in the 1870s, which also lead to the introduction of women into office life, sitting finally established itself as the primary posture in the workplace. The typical desk chair, such as the one designed by Ten Eyck, was a prosaic, standard chair adapted to the secretary and having three or more feet, a height-adjustable wooden seat and a vertical, slightly springy backrest to support the spine. Unfortunately, the anonymised mass products didn’t function as they were supposed to - sitting was uncomfortable and resulted in back pain and bad posture.

Frank Lloyd Wright was one designer who created less functional, more design-oriented office furniture, developing special swivel chairs with cane work for the Larkin Company’s administrative building. Michael Thonet, probably the most important furniture manufacturer at the turn of the century, also tried his hand in office design: in collaboration with Otto Wagner, Thonet designed elegant chairs for the Viennese Postsparkasse bank, although these barely met the needs of daily office work.


Ergonomics - a magical word

Only in the 1950s did one magical word manage to make the office — and especially the swivel chair — interesting to engineers and designers: ergonomics. The goal of this new discipline was to adapt the work environment to the employees’ needs and liberate them from the stiff, right-angled sitting posture. This was to be achieved through norms, all manners of adjustment levers and mechanics - many office chairs were developed into actual sitting machines with complex technology, which the users often just gave up on.

In the late 1970s, there was a deliberate shift in thinking: while swivel chairs should correspond to people’s ergonomic needs, they should still be user-friendly. Developed by Klaus Franck and Werner Sauer for Wilkhahn in 1979, the FS was probably the first user-friendly chair with an automatic synchro-adjustment to appear on the market. Even the slogan "Sitting without a driving licence" emphasised its ease of use.


Symbiosis between functionality and design

In recent years, communication and team work have established themselves as fixed components of daily work. This also led to differentiated office layouts: The ideal office provides not just areas of retreat for concentrated work; it also offers open spaces for communication and collaboration and is a place for efficient work that also feels good. In this increasingly social and emotional office environment, the furniture also has to adapt to new demands - flexible adjustments and an attractive design are particularly desired.

The products from the London studio of PearsonLloyd offer a perfect example of this symbiosis between functionality and design: "In our work, we want to question the overwhelmingly technoid aesthetic that dominates office spaces", the designers explained. Following the Bay Chair, which is especially appropriate for team work as well as short-term, concentrated work, Tom Lloyd and Luke Pearson now present the RIYA swivel chair. Its form language and soft lines deliberately negate the usually technoid, sombre appearance of swivel chairs and is intended to create a comfortable experience for office workers. In addition to the friendly design, which represents an open and likeable office culture with a human touch, RIYA is also very adaptable: RIYA fits into the various zones of modern offices not only aesthetically but also functionally (in addition to the traditional synchronous mechanics, the chair also offers an automatic weight regulation). The technology doesn’t try to take centre stage; instead its use is intuitive, with the help of attractively designed adjustment buttons.

Following an age of rectangular wooden chairs and over-equipped, mechanical devices, the RIYA has brought us into the office of the 21st century, in which the chair is neither a status symbol nor a sign of hierarchical superiority. A good swivel chair has an appealing design, satisfies the employees’ ergonomic needs, and is still easy to use. "Human touch" instead of sitting machine - that sounds good, doesn’t it?